Cânticos 2
Origen of Alexandria · Comentário Patrístico (catena)
Cânticos 2:4
"Bring me into the wine cellar." The Bridegroom had stopped outside and was welcomed by the bride. Truly he had rested on her bosom. Many young maidens are not such as to be worthy of having the Bridegroom as their guest: "to the crowds" outside, he "speaks in parables." How I fear that many of us are maidens! "Bring me into the wine cellar." Why do I wait outside for so long? "See, I stand at the door and knock. If someone opens to me, I will come in to him, and sup with him, and he with me." "Bring me in." Even now the divine Word says the same words: see that the Christ says, "Let me in." He speaks also to you, catechumens, "Let me in," not simply into the house but "into the wine cellar," that your soul might be filled with the "wine of delight," the wine of the Holy Spirit. Thus, "bring into" your "house" the Bridegroom, the Word, Wisdom, the Truth. Thus it can also be said of those who are not yet perfect, "Bring me into the wine cellar." — HOMILIES ON THE SONG OF SONGS 2:7
Cânticos 2:6
But turn yourself quickly toward the life-giving Spirit and, while avoiding physical terms, look keenly at what is the "left hand" of the Word of God and what is the "right hand" and also what is the "head" of his bride, namely of the perfect soul or of the church, and let not the carnal and changeable sense of the word take hold of you.For this here is the "right hand" and "left hand" of the groom, that is said concerning Wisdom in Proverbs, where she says, "Long life is in her right hand, but in her left hand are riches and glory." — COMMENTARY ON THE SONG OF SONGS 3:9
Cânticos 2:8
But first understand that before he appeared to the eyes of the bride, the groom had been recognized by her by his voice alone, but afterwards he appeared to her sight, leaping on top of certain mountains near that place in which the bride tarried, and passing over the hills and mountains not so much in steps as much as in some big leaps like a stag or a roe and coming with all haste to his bride.But when he came to the house where his bride stayed, note that he stood behind the house for a little while so that he would indeed be perceived to be present but nonetheless not yet willing to enter the house openly and plainly, but first wished to look at the bride through the windows in the guise of love, as it were. But note that certain nets and traps had been placed near the bride's home so as to capture her or another of her companions from the daughters of Jerusalem, if by chance they should have ever left. The groom came to those nets, confident that he would not be captured by them, but having been made stronger than them, he tore those nets asunder, and once he had torn them, he walked on top of them and even looked through them; and after he had done this task, he said to the bride, "Arise, come, my neighbor, my bride, my dove." But he says this to show to her by that very act how she, with faith in him, ought to despise now the nets that her enemy had stretched out against her, and not to fear the snare, that she now sees have been torn asunder by her groom. Furthermore, in order that he may call the bride forth to hasten to him, he says to her that now all the time that seemed dire has passed away and the winter, which seemed to have arisen as her excuse, has departed and the useless rains have gone away and now the time of flowers has come.… Therefore, if we also wish to see the Word of God and the groom of the soul as he leaps over mountains and jumps over hills, let us first hear his voice and, when we have heard him in all matters, then we will be able to see him according to thoese things which the bride is said to have seen in this present passage. For although she herself also saw him earlier, she nonetheless did not see him as now, leaping over the mountains and jumping over the hills, nor even leaning through her windows or looking through the nets, but rather it seems that she had seen him earlier in the time of winter.… For if you were to consider how in a the space of a brief amount of time the Word of God has run throughout the world that had been seized by false superstitions and called the world back to knowledge of the true faith, you will understand how "he leaps over the mountains"—namely, he overpowered all the great kingdoms by his leaps and he inclined them to accept knowledge of divine religion—and how "he jumps over the hills"—since he quickly subdues lesser kingdoms and leads them to the piety of true worship. — COMMENTARY ON THE SONG OF SONGS 3:11
Cânticos 2:10-12
Each one of the blessed will first be obliged to travel the narrow and hard way in winter to show what knowledge he has acquired for guiding his life, so that afterwards there may take place what is said in the Song of Songs to the bride when she has safely passed through the winter. For she says, "My beloved answers and says to me, 'Arise and come away, my love, my fair one, my dove; for lo, the winter is past, the rain is over and gone.' " And you must keep in mind that you cannot hear "the winter is past" any other way than by entering the contest of this present winter with all your strength and might and main. And after the winter is past and the rain is over and gone, the flowers will appear that are planted in the house of the Lord and flourish in the courts of our God. — EXHORTATION TO MARTYRDOM 31
Cânticos 2:14
"Because your voice is sweet." And who would not profess that voice of the catholic church confessing the true faith is sweet, but the voice of the heretics is rough and unpleasant, which does not speak the teachings of truth but blasphemies against God and iniquity against the Most High? Thus also the appearance of the church is comely, but that of the heretics is ugly and foul—that is, if there is someone who knows how to test the beauty of the face, that is, if there is some spiritual person who knows how to examine all things. For among the unskilled and unregenerate people the sophistries of the lie seem more beautiful than the teachings of the truth. — COMMENTARY ON THE SONG OF SONGS 3:15